From the Riley Locke desk
Identical twins, one concussion, and two bakeries three thousand miles apart, and Maggie Knox's 2021 confection runs the full parent-trap protocol on its adult participants with a baker's patience. The desk files it under closed-door comfort, the shelf for readers who want the season's warmth with the oven light on and the bedroom door shut.
The machinery is honest about itself. Charlie Goodwin, ambitious pastry chef and television baking-show star, takes a knock on set and loses her sense of taste and smell, which for a competition judge is a career-ending secret. Cass, her identical twin, runs the family bakery back home in snow-globe Starlight Peak and is drowning in Christmas orders and a stale almost-engagement. The swap proposes itself, each twin stepping into the other's aprons, and the book deals its two romances accordingly: Charlie's life supplies Cass a firefighter with forearms and patience, and Cass's life supplies Charlie a sardonic co-judge who notices rather more than the deception can afford. The reveal beats, who learns what and how badly it lands, stay sealed, and the desk confirms the book handles the ethics of the lie with more care than the premise strictly required.
What we admire most is the clockwork. Dual-timeline farce is precision work, every scene has to run on two levels, what the room believes and what the reader knows, and Knox keeps both dials turning without a dropped tray. The baking is written functionally rather than rapturously, sourdough as schedule and inheritance, and the book's quietest thread, what each twin learns about her own life by operating her sister's, does the emotional lifting while the comedy holds the room. Starlight Peak itself is assembled from the full seasonal catalogue, tree lighting, carol rehearsal, a diner with a regulars' bench, and deployed without apology, which is the correct way to deploy it.
The heat, at eye level, is closed-door throughout, kisses on the page and everything further behind it, which the desk reports as a feature for its intended audience and a fair warning for everyone else.
Honest notices: a deception plot readers must be willing to sit inside, a concussion treated a shade more conveniently than medicine would like, an almost-fiancé dispatched a little tidily, and cosiness as the governing physics. The stakes are croissants and honesty, in that order reversed by the end. Read the baking interludes hungry at your own risk.
Who is this for? Hallmark-fluent readers who want the movie with better interiority, baking-show devotees, twins, and anyone whose December reading must be safe as houses. Serve warm, with the good butter.
Tropes at work: Holiday Romance